Wednesday, March 31, 2010

IBN live review of pramani:3/5:Mammootty's 'Pramani' is worth watching

Rating: 3/5

A neatly narrated political subject within the format of a mainstream entertainer – that's the best one can say about Pramani, a Mammootty movie that hit the silver screen on March 26.

Directed and scripted by B Unnikrishnan, the movie shows the contemporary political and social issues that prevent overall development of villages, especially in Kerala.

The protagonist, Viswanathan Panicker (Mammootty), is president of the Thazhe Keezhpadam Gram Panchayat in Kerala. He is always interested in accumulating wealth through corruption. The villagers call Panicker 'America' for his special interest in getting involved in others' issues, and taking away all the credit and money.

Panicker knows every rule and regulation, and believes that 'one must have a thorough knowledge about law and jurisdiction to break it!' His cousin Somashekharan (Siddique) always helps Panicker in his 'governance'.

Although Castro Vareed (Janardhanan), the president of the nearby Panchayat, tries to bring an end to the 'American' rule, Panicker wins all the battles with political and muscle power.

However, at a certain point in his life, Panicker turns away from sin and tries to mend his ways. He then has to face a real tough time from all corners.

The story may sound oft-repeated – a satire on the kind of Panchayat politics that we often know from media and watch in films – but the way it has been narrated and presented ensures that Pramani is worth watching.

It must also be mentioned that the script has done wonders for the film. Unnikrishnan has tried his best to put in elements that will woo the family audiences, as summer vacations starts this weekend.

Certainly, Mammootty steals the show. Though there was not much scope for the character, Mammootty has been very loyal to the role. As usual, his dialogue, presentation and screen presence are just perfect.

Tamil actor Prabhu has done a small but ineluctable role of Panicker's close friend and godfather in politics, Varkey. The others who deserve mention are Siddique, Janardhanan and Lakshmi – they have ensured that their respective characters help the movie to keep its tempo.

Interestingly, unlike the usual south Indian films, there is no romance in this film between the male and female lead characters. The heroine Janaki (Sneha) has been portrayed as the Panchayat Secretary who helps Panicker to mend his ways.

Overall, barring the usual climax and some weak comedy scenes, Unnikrishnan has done a good job as the director, eliciting excellent performances out of all artistes.

Though a normal story, Pramani is technically sound in all ways. Cinematography (by Shamdat), editing (Manoj) and art direction (by Joseph Nellikkal) have all been handled well. The songs, written by Gireesh Puthencherry and composed by M Jayachandran, are average.

Pramani is definitely a simple movie, but shot without losing its objectivity.


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